Hannah discusses her poems in Issue 16 and the role of intuition in her writing; the goal that all her poems should surprise in some way. She defines the poem as an entity far more powerful than the reasoning mind, and which demands that the writer surrender to whatever larger thing the poem wants to become. The persistent hazard then in writing, she says, is to search for clarity or to pin a poem down into meaning something instead of regarding it as a creature separate from the self, with “a will of its own.” Drawing on Keats’ negative capability and Robert Bly’s “black side of the intelligence,” she embraces the innate hiddenness of a poem’s making, adding that what matters most to her is not how authors write, but why. She shares her own reasons – pain and love – universal emotions she tries to approach from “a space just beyond this world,” to offer the reader a bridge from the physical world to the unconscious.
You can listen to the podcast on our iTunes channel, podcast #222.
You can read Hannah’s poems in Superstition Review Issue 16, and hear her read them aloud in podcast #213.
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