Let me be honest here, growing up I greatly disliked nonfiction. My reasoning? Well, I never once thought you could be creative with the real. Reality to me was boring, so utterly mundane. I couldn’t seem to fathom the appeal to it. Fiction, on the other hand, held all the mysteries in the world. But gradually, as I’ve grown older, I’ve come to realize that the real is so beautiful and heartbreaking. Becoming the Nonfiction Editor for Superstition Review has truly given me the space to appreciate the craft behind what is real. What is that I want out of nonfiction? Feeling. Make me feel something. The strongest of essays not only open your eyes to new perspectives, but they suspend you in time and bring you right back down to reflect upon your own life. I’m looking for raw connection between the reader and the writer. Like my Advanced Fiction professor states: Tell me your truth. Remind me of something I’ve forgotten, or something I’ve never known. When you write, allow me to enter your space and experience a snippet of your life with you. Tear at my heart with something so deeply personal that I am left breathless and disrupted. I want to see lyricism, musicality, and strong attention to detail. I want all of my senses to be activated. Construct sentences that sing off the page and paint me right into your life. I want stories to linger in my mind for days to come.
Nonfiction Editor Anahí Herrera is a junior majoring in Creative Writing and minoring in Film & Media Studies. She is also the current Fiction Editor at Lux Undergraduate Creative Review, a student run literary magazine funded by Barrett, The Honors College. It’s Anahí’s dream to one day write with the same fervor as Ray Bradbury and to pursue a passionate life of writing, book editing, and prose experimentation with film.