Meet the Review Crew: Christine Truong

Each week we feature one of our many talented interns here at Superstition Review.

Christine Truong is an Art Editor for Superstition Review. She studies English Literature and Art History at Arizona State University and upon graduation she plans to attend a graduate program to learn, research, and write about literature.

Christine was born in Vietnam, but has spent the majority of her life living in the inner-city of Los Angeles. She considers herself fascinated and jaded by city-life. However, after traveling to towns throughout Europe, Asia, and the U.S., she has come to conclude that Los Angeles, with its imperfections, is no ordinary place. Christine continues to draw inspiration from the pathos of city-life and like others of her generation, she thinks about what it means to be a young adult in modern life.

Unlike other students of her discipline, Christine did not always enjoy books. Her love for books began when a Middle School teacher recommended that she read The Joy Luck Club by Amy Tan after learning of her Vietnamese heritage. Christine likes to say that her true love for literature began when she read Demian by Herman Hesse and Anthem by Ayn Rand in the tenth grade—both, in their own ways, stories of individual conquest.

Today, her love of literature has translated over to the world of literary theory and poetry. In both her spare time and academic life, Christine enjoys reading critical theory, where every piece seems to be more complicated and elaborate than the previous. She is interested in poetic forms, rhetoric, and post-colonial and deconstructionist theories. She enjoys the critical and prose works of T.S. Eliot and other Modernists, as well as the English Romantics and Russian writers. If she were forced to choose a work to read for the rest of her life, she would, without a question, choose T.S. Eliot’s “The Love Song of J. Alfred Prufock.” If she had to choose a work of art to view for the rest of her life, it would be Eugène Delacroix’s Paganini.

Christine’s interest in Superstition Review came at time when she realized she needed to spend more time connecting with others who also love art and literature. She also writes an opinion column on culture and politics for ASU’s State Press. In her spare time, she updates her literature blog, a hundred visions and revision and tries to find time to update her cooking blog, Culinary Curiosities.

Christine enjoys reading astrological charts. She is also an after-school instructor for the Tempe School District and teaches play programs for parents and their toddlers at Gymboree Play and Music.

Approaching Release Date & Newsletter!

Our genre editors are coming out with final picks for the second issue of Superstition Review, which should be web-ready and published within the next few weeks. At the moment, the non-genre design editors (such as myself and Connie Hackathorn) are presently toiling away editing photographs and non-content pages–materials such as headshots and biographies for this release of our magazine.

Among the most interesting things I’ve learned over the course of my study of writing and publishing, through this internship and in general in this literary year of my life, is that writers are largely self made and self advertised. My best friend is an actor–upcoming, and thus stuck at the whims of agencies and directors. An actor, for the most part, has to work to fit up to a certain look and keep presence at particular appearances. Performing professions are paid to have a look. For writers, it’s a privilege and a perk, if not sometimes a burden.

From what I’ve learned of the writing world, a publisher will often distribute and do some advertising for your book, but for YOU, as the writer, you’re responsible for being witty on your own book tours, setting up your own signings, and proving–without agency assistance, that you are completely awesome.

This is an example of writers being awesome in public.
This is an example of writers being awesome in public.

And face it, you are. This photograph illustrates famous writers Greil Marcus, Josh Kelly, Robert Fulghum, Roy Blount, Jr., Barbara Kingsolver, Dave Marsh, Jerry Peterson, Stephen King, Dave Barry, Ridley Pearson, Joel Selvin, Matt Groening, Tad Bartimus, Amy Tan, and Kathi Goldmark–courtesy of photographer Tabitha King–showing off their attitude and charm. This collective of writers is known as the Rock Bottom Remainders and they perform as a rock band when they’re not churning out incredible, insightful, and exciting written word.

As a writer, some of the most important advice I’ve gotten, namely from G. Lynn Nelson at Arizona State University, is simply to “write real.” Be yourself. Be authentic. Even if something never happened, don’t act as if it isn’t true. As writers, it is our job to make our fantasies and memories true and engaging. Hopefully, if you are a writer, like myself, you enjoy this process of creation as well.

We here at Superstition Review enjoy sharing this experience with you.

In addition to our published magazine coming out, we are also releasing two issues of a newsletter detailing what it is we do here and who we work with–artists and interns alike.  We hope you can join us in receiving these updates to your e-mail inbox. Please sign up at the main Superstition Review website or leave a comment here for more information.

Five Tips For Writing and Living.

Amy Tan photo

Amy Tan, Chinese-American writer–best known for her novel The Joy Luck Club, released a collection of letters and personal essays entitled The Opposite of Fate. As Tan is known as a primarily fiction writer, it is remarkable to get this very real and identifying insight into the mind of this author, her life, her real family, and her writing process.

If having a film made off her bestselling first novel is not enough to make Amy Tan a remarkable and important American writer, in addition, as of the beginning of this month (October 2008), an opera based off Tan’s novel, The Bonesetter’s Daughter has just completed its first run.

As a young, high-school aged writer, I myself received a signed copy of The Opposite of Fate as an inspiring present from my mother, and since then, the works of Amy Tan have held particular significance to me. As a student at Arizona State University, studying Creative Writing, as well as an intern at Superstition Review, I have found that Tan’s works have endured to hold valuable advice in my writing and advice.  With great joy, keep reading for an excerpt of Tan’s words to writers…

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