Authors Talk: Sarah Viren

Authors Talk: Sarah Viren

Today we are pleased to feature an interview with Sarah Viren. Sarah is a journalist, writer, and translator working at Arizona State University specializing in the art of the creative nonfiction essay. She is the author of an essay collection entitled MINE.

In this fascinating interview she discusses her experience with writing from her working in journalism to her transition to writing literary essays. During her time as a journalist, she found that she wanted to write about things that “had no place in newspapers” and essay writing provided a new solution. The literary essay presents its own problems as the author is dealing with real people and Sarah explains how she has learned to write ethically about close loved ones from her sister to her children. Literary essays allow the author to “find ways to let those people have their voice be heard” while also showcasing the uniqueness of their own.

Sarah also takes time to explain her writing process from inspiration to research and observation identifying herself as a fan of the idea of “writing something and giving it time.” She uses moments of inspiration and wants to write honestly about herself and others, to share meaningful stories. In memory writing she says “remembering the self I was” can be hard and that in writing of others it is the “people that are outside of our sympathies… those are the people you need to write about.” Her essays are dark and honest and real, and though they are at times difficult to write she remembers “it’s hard work, but good work.”

This interview is a culmination of immersive student work on non-fiction narratives for ENG 509 in the Narrative Studies program in the College of Integrative Sciences and Arts. In this class, students read longform non-fiction writing and listened to author interviews to theorize writerly practices related to a variety of non-fiction genres. Students’ final reading for the course was Sarah Viren’s essay collection Mine. After a semester of critically engaging with author interviews, they composed their own questions and interviewed Dr. Viren on Tuesday, November 19. Watch the full interview to learn more about her creative process and inspiration and be inspired yourselves by the reflections and advice of a fellow creative mind.

Sarah Viren is a writer, journalist, and literary translator. Her essay collection, Mine, won the River Teeth Book Prize, was a finalist for a Lambda Literary Award, and was longlisted for the Pen/Diamonstein-Spielvogel Award for the Art of the Essay. Her translation of the novella Córdoba Skies by the Argentine author Federico Falco was published in 2016 by Ploughshares Solos, and her co-edited anthology of the essay in the Americas, The Great American Essay, is forthcoming from Mad Creek Books. An award-winning newspaper journalist for half a decade in Texas and Florida, Sarah holds an MFA from the University of Iowa and is now an assistant professor at Arizona State University.

Michelle Stuckey is a clinical assistant professor and the writing program administrator for the Writers’ Studio, a fully online first-year composition program in the College of Integrative Sciences and Arts. Stuckey is an interdisciplinary scholar whose research and teaching are informed by feminist and critical race theories. 

Kendall Dawson is a current Narrative Studies Master’s student at Arizona State University. She holds a Bachelor’s in Communication and English Literature from Central Michigan University, enjoys reading, and loves her hometown of Chicago, IL.  

Delena Humble is a first year graduate student in the narrative Studies MA program at Arizona State University. At ASU, she also serves as the primary research assistant to New York Times best selling author, Jewell Parker-Rhodes. Delena’s passions include writing and studying Latinx identity negotiation, ethical story representation, and autoethnography. In her free time, she enjoys spending time with her two cats. 

Riley Hess is a second-year graduate student in the Communication Studies Master’s program at ASU’s West Campus. He is working on a short memoir about his trials and tribulations as a student-athlete in high school and college, as well as an applied project using persuasion theory to effectively fill out a general grant application form for nonprofit organizations.

Monique Medina is a second year graduate student. She is in the beginning stages of her Capstone project, which will focus on the relationships between parents and their trans children. This topic hits close to home as she has a trans nonbinary child and it’s been a journey in rediscovering who my child is, while building upon and redefining our relationship.

H. Rae Monk

H. Rae Monk is a graduate student in the Narrative Studies Master of Arts program. She is currently doing grant funded public history research in the rural towns of eastern Arizona and western New Mexico. She resides and works in Mesa.  

Editorial Preferences in Fiction: Spencer Litman

One of the most important realizations of my life was that people are not one way, that they often do and say conflicting things not out of malice or to deceit, but because it a necessary part of the ever-changing human condition. There is a sort of dialectic behavioral therapy that must take place within all of our minds when we consider that good people can do very bad things and bad people can do very good things. This is the dynamic nature of humanity. It is unavoidable. It might be the only unchanging and shared characteristic of humanity.

And it is for this reason that I am drawn to literary fiction. There often isn’t a clear line between good and bad. The characters in literary fiction make terrible choices and deal with the repercussions. As a reader and editor, I want to read stories that sink deep into these chasms between right and wrong, stories that teach us something about what it means to be fallible and imperfect. I want to read stories that challenge me, that make me so angry I hold my breath until the final sentence, so sad that I think of the characters long after I finish the stories. I want to see myself and my flaws laid out before me. I want to read narratives that do not pass judgement but present a situation and ask me to consider a point of view I may never have arrived at myself.

Literary fiction is a conversation between all of the writers in the world, constantly arriving at theses only to have them blown up and reordered by the next. Show me a side of humanity only you can construct, the things that make your perception unique.

But above everything, I want to feel something. I want to finish a story, let take root in my brain and change my long-held beliefs. Whether it is characters, setting, plot, language, form, it doesn’t matter. The stories that stick with me are the ones that make me think about life in a way I couldn’t or wouldn’t. This is the goal of fiction, and this is the fiction I want to see adding to the literary conversation.  

Spencer Litman is the fiction editor for Issue 23. He is a fiction writer and essayist living in Phoenix with his wife, Kristine, and his two children, Jayden and Aubrey. He is finishing his undergraduate degree in English with a creative writing concentration and hopes to attend an MFA program somewhere cold, with pine needles and snow.

Contributor Update, Emily Matyas: Sol y Tierra

Today we are happy to share news about past contributor photographer Emily Matyas. Emily has a new book releasing this spring titled “Sol y Tierra: Views Beyond the U.S. – Mexico Border, 1988-2018.” The collection of photographs explores life just south of the border, beginning a conversation between the two countries. Along with the photographs, journalists Linda Valdez and Sergio Anaya have included essays and one of the photographic subjects have included a short memoir.

Some more of Emily’s work, published in our 14th issue, can be found here. Be sure to look out this spring for more information on the book and events!

Congratulations Emily!

#ArtLitPhx: English at ASU Open Door 2019

Date: Saturday, February 23, 2019
Time: 1-6 p.m
Location: Ross-Blakley Hall (RBHL), Tempe Campus, 1102 S McAllister Ave, Tempe, AZ 85281
Cost: Free of charge and open to the public

Event Description:
Please join us at ASU Open Door 2019! All English activities will take place at ASU’s campus in Tempe in or near Ross-Blakley Hall, are free of charge, and are open to the public.

Swords Instead of Quips in YA Fantasy
1-3 p.m.   |   RBHL 196

Join NYT Bestselling Author Melissa Marr to learn how to integrate combat sequences into story. Using primarily Historical European martial arts (longsword and single-handed messer), but touching on kali sticks and improvised weaponry, Marr will discuss and demonstrate fighting as a realistic outgrowth of character, world, and setting. Marr will cover integrating action into story naturally and touch on tricks to stretch out the action in text without relying on historical inaccuracies, gross misuse of weapons, or action clichés like villain monologues.

Making the Star Wars Universe
1-6 p.m.  |  RBHL 101

ASU experts in film, television and literature share their perspective on the secret of Star Wars’ success. Mix and mingle with your favorite Jedis, hear the backstory of those vintage Star Wars toys and action figures, learn about the female heroes of Star Wars, enjoy themed face-painting and get your own balloon creature made by a Star Wars cosplayer. (Face-paint and balloons from 1:30-3:30 only).

RED INK Tipi Experience 
1-6 p.m.  |  RBHL (outdoors on SDFC East Field)

ASU’s Red Ink Indigenous Initiative presents cultural stories from Indigenous communities for children and adults. Each session is facilitated in a traditional tipi setting by tribal storytellers.

Hogwarts Sorting Hat & Spell Casting
1-3 p.m.  |  RBHL 117

Welcome to Hogwarts! Inspired by the Harry Potter books, young visiting wizards get sorted into a “house” and receive a corresponding wand; use the wand to magically correct misspelled words! Teeny tiny wizards can just enjoy learning silly spells. Beware: Dementors may show up! Facilitated by professors Jim Blasingame and Peter Goggin and English Education students.

Hogwarts Wand-Making and Platform Photos 
3:30-6 p.m.  |  RBHL 117

Members of Dumbledore’s Amy at ASU, a Harry Potter-themed student club, coach wannabe-wizards on the art of wand-making (supplies provided). Take a selfie at Platform 9 ¾ in London’s King’s Cross Station!

Giant Crossword and Word Search Puzzles  
1-6 p.m.  |  RBHL Lobby

Interactive word games for all ages designed by Regents’ Professor and Arizona Poet Laureate Alberto Ríos. Prizes for correct answers!

Writing Takes Place: Your Life in Haiku
1-6 p.m.  |  RBHL 119

Write your autobiography in Haiku, a short Japanese verse form. Take your finished poem with you! Coached by teachers in ASU Writing Programs (who are expert syllable-counters).

 

To learn more about the event, click here.

Contributor Update, Pam Houston: Deep Creek, Finding Hope in the High Country

Today we are happy to share the news of past contributor Pam Houston. Pam’s memoir “Deep Creek: Finding Hope in the High Country” was just published by W. W. Norton & Company in January of 2019. Reminiscing about her life living in the Colorado Rockies, Pam discusses the beauty and pain of human life and her ties to the earth, specifically her 120-acre ranch. The memoir not only includes her essays but also 12 of the author’s own black and white photographs.

The book can be purchased here, and information about her signing event at Bookshop Santa Cruz can be found here.

Congratulations Pam!

Editorial Preferences in Art: Shalanndra Benally

Through the process of curating art, I would say that I have gained new eyes for looking at different pieces of work. I can admit that I was never one to look at art in the manner of color, context, and composition before. I mainly base what I like on no other context other than just liking the way things look.

I think art as a medium can be something over saturated with the sheer number of artists, but I believe that I have learned so much. Through this journey I was also able to differentiate an artist from a hobbyist.

Looking at art now, I am finding myself drawn to artists that have a lot of work and specifically work that contains the three C’s. The first aspect I like to look for is composition. I really like to take composition into consideration and make sure that it matches the Superstition Review and what the audience would engage with. Secondly, I like to look into the context of the piece. Not simply understanding what the piece looks like, but taking the time to understand what the underlying theme is or what the piece is trying to say. And of course, taking color into consideration with each piece. All of these elements have helped me understand on a different level of viewing and appreciating art.

With that being said, I don’t particularly have a specific type of art I enjoy, I can look at any piece of work from any medium and still be able to apply what I have learned.

Overall, I am very grateful and pleased that I am able to see art differently. And I will continue to utilize what I have learned as I flourish throughout the art community.

Shalanndra Benally is the art editor for issue 23. She is currently in her first semester of her Senior year at Arizona State University studying Digital Culture with a concentration in Design. Currently she is working on the design team for TEDx at ASU, as well as being the sole designer for the 40th annual Ms. and Mr. Indian ASU. She is always looking for new opportunities to show off her artistic abilities and demonstrate her extensive design experience. After graduation she hopes to work in digital media or another creative field.

#ArtLitPhx: ASU Symphony Orchestra

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Date: January 27, 2019

Time: 4:00pm-5:30pm

Location: Scottsdale Center for the Performing Arts, 7380 E 2nd St, Arizona, 85251

Tickets

Event Description:

Jeffery Meyer conducts the ASU Symphony Orchestra in a dramatic program of Eastern European works influenced by events of World War II, featuring Yuhui Li on piano, 2018 Concerto Competition winner. Core repertoire works by Dmitri Shostakovich and Béla Bartók are performed with Krzysztof Penderecki’s avant-garde Threnody and the masterpiece of neoclassicism Concerto for String Orchestra by pioneering female composer Grażyna Bacewicz.

#ArtLitPhx: Tempe Writing & Cover Design Contest 2019

Tempe Writing & Cover Design Contest 2019

ASU students from all majors and campuses in metropolitan Phoenix (including ASU Online students who reside in Maricopa County) are invited to submit their creative work in the 5th annual Tempe Writing and Cover Design contest.

The contest will accept entries from Jan. 7 – Feb. 18, 2019. Writers may submit one original, unpublished work in either poetry, short fiction or creative nonfiction (including essays and memoir). Entries are read anonymously by members of ASU’s creative writing community and a winner is chosen in each genre for the three entry categories: high school student, college student (undergraduate or graduate) and community adult.

Graphic artists (age 14 and above) are invited to prepare a color cover design for the 2019 issue of Tempe Writers Forum, the publication that shares the winning entries.

Contest winners — in addition to having their work published in volume five of the Tempe Writers Forum and on the library’s website — will be celebrated at a reception at the Tempe Public Library on Wednesday, April 3, 2019. Additionally, the Friends of the Tempe Library will award a $50 prize to all winners.

Want to learn more? Full contest submission guidelines, as well as past issues of Tempe Writers Forum and the works of writers receiving honorable mention, can be found at www.tempe.gov/WritingContest.

#artlitphx#artlitphx

#ArtLitPhx: Borderlands Poetry

 

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Event Description:

Natalie Diaz and [archi]TEXTS present Borderlands Poetry: A Reading and Conversation with Eduardo C. Corral benefitting No More Deaths/No Más Muertes

Date(s): Monday, November 19, 2018, 6:30 p.m. – 8:30 p.m.
Location: Pima Auditorium, Memorial Union, Arizona State University, 301 E. Orange St., Tempe, AZ 85281
Type(s): Conversation, Discussion, Lecture, Reading
Genre and Form(s): Multi-genre, Poetry
Cost: Free; Suggested donation to No Más Muertes

Live streaming will be available at the date and time listed at https://asunow.asu.edu/asulive

To make a donation to No Más Muertes, visit https://donatenow.networkforgood.org/nomoredeaths?code=asu

To learn more and RSVP, visit http://piper.asu.edu/classes/eduardo-c-corral/borderlands-poetry

About the Conversation
What are the physical and metaphysical conditions of borders and borderlands? How do borders span the imaginary, emotional, and physical landscapes of the human condition? Join a conversation and reading with poet and educator, Eduardo Corral, exploring the imaginative, bodily, societal, political, emotional, physical, and linguistic impacts of borders to us as human beings, our connections, and our artistic bodies of work.

Fundraising for No Más Muertes
This conversation benefits No Más Muertes (No More Deaths), a humanitarian organization based in southern Arizona dedicated to increasing efforts to stop deaths of migrants in the desert. Their mission is to “end death and suffering in the Mexico–US borderlands through civil initiative: people of conscience working openly and in community to uphold fundamental human rights” (No Más Muertes).

About Eduardo C. Corral
Eduardo C. Corral is the author of Slow Lightning, which won the 2011 Yale Series of Younger Poets competition. His second book, Guillotine, will be published by Graywolf Press in 2020. He’s the recipient of Whiting Writers’ Award, a National Endowment for the Arts Fellowship, the Holmes National Poetry Prize and the Hodder Fellowship, both from Princeton University. He teaches in the MFA program at North Carolina State University.

Presented by [archi]TEXTS and the Virginia G. Piper Center for Creative Writing at ASU

Original photo credits: Sonoran desert by No Más Muertes; Eduardo C. Corral by Matt Valentine.

#ArtLitPhx: ASU Undergraduate Writers Showcase

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Event Description:

Join the Virginia G. Piper Center for Creative Writing for our second-annual ASU Undergraduate Writers Showcase, Thursday, November 15, 2018 at the Piper Writers House (450 E Tyler Mall, Tempe, AZ 85281) from 7:00 to 9:00 p.m.!

To RSVP or submit your work, visit our website at http://piper.asu.edu/events/2018/asu-undergraduate-writers-showcase. The deadline for submissions is October 19, 2018.

While encouraged, RSVPs are purely for the purposes of monitoring attendance, gauging interest, and communicating information about parking, directions, and other aspects of the event. This event is open to the public and free.

A final line-up of readers will be announced November 1st.