#ArtLitPhx: Stanzas in the Stacks

stacksIn honor of National Poetry Month, local poets will be sharing their work at the Friends of the Tempe Public Library Connections Cafe.

Free of charge. No registration required. Saturday, April 30th, 2:00 PM – 4:00 PM. Tempe Public Library – Friends Cafe

Grab a latte and your snapping fingers as we celebrate National Poetry Month at the Tempe Public Library! Tempe Public Library will be hosting an afternoon of local poetry readings in our Connections Café. View the Facebook event and Tempe website for this event.

Bios:
 

Shomit Barua:Shomit Barua

Shomit Barua received his MFA from Bennington College. He teaches writing at ASU, Mesa Community College, as well as for la Phoenikera Writer’s Guild. His contemporary approach to cognitive spirituality explores humor within the sacred. As a poet, he has collaborated with architects, animators, artists, dancers and musicians.

 

 

David Chorlton:David Chorlton

David Chorlton has lived in Phoenix since 1978 when he moved from Vienna, Austria, with his wife. Born in Austria, he grew up in Manchester, close to rain and the northern English industrial zone. In his early 20s he went to live in Vienna and from there enjoyed many trips around Europe. In Arizona, he has grown ever more fascinated by the desert and its wildlife, and especially enjoys the mountain ranges of southern Arizona, a region that appears frequently in his books which include The Lost River from Rain Mountain Press, A Normal Day Amazes Us from Kings Estate Press, Waiting for the Quetzal from March Street Press, and The Devil’s Sonata from FutureCycle Press. As much as he loves the Southwest, he has strong memories of Vienna, and that city is the setting for his first work of fiction: The Taste of Fog, from Rain Mountain Press. Selected Poems, appeared in 2014 from FutureCycle Press, and his newest collection of poetry is A Field Guide to Fire, his contribution to the Fires of Change exhibition shown in Flagstaff and Tucson.

 

 

Jenna Duncan:Jenna Duncan

Jenna Duncan teaches journalism and English classes at Glendale Community College. She is a writer, filmmaker, and hobbyist fashion designer based in Phoenix. She holds a Bachelors degree in Journalism from the University of Arizona (2001), a Master of Fine Arts degree in Creative Writing at Goddard College (2007), and a Master of Arts in Media Studies degree from The New School (2010). Duncan currently serves as Associate Editor for JAVA Magazine and contributes articles to Phoenix New Times.

 

 

 Kitt Keller:Kitt Keller

Kitt Keller received her MFA from ASU in 2014. Her work has been seen in Ghost Town, Four Chambers Magazine, Narrative Magazine, and Hoot Review. She lives in a yellow brick house in Tempe, Arizona, where she writes, reads, and collects craft supplies that will absolutely be used someday.

 

 

Shawnte Orion:Shawnte Orion

Shawnte Orion is a local poet who co-hosts the monthly Caffeine Corridor Poetry Series in Phoenix. He was featured among Phoenix New Times’ Top 100 Creatives in 2014. He is the author of two books of poetry including The Existentialist Cookbook and Faithful as the Ground. His poems have appeared or are forthcoming in Georgetown Review, Barrelhouse, Gargoyle Magazine, Crab Creek Review, New York Quarterly, and other journals.

Treehouse Celebrates its First Birthday

TreehouseFor the past year, Treehouse has been dedicated to exhibiting pleasantly unusual and interesting writing that is short enough to read on a coffee break but good enough to linger over.  We feature previously unpublished work from emerging and established writers alike. We accept writing no longer than 1,000 words in fiction, nonfiction, and poetry genres. Simultaneous and multiple (up to three) submissions are accepted. Submissions are read on a rolling basis (unless otherwise noted).

To celebrate our successful first year, Treehouse is proud to present our First Annual Literary Loot Contest for Unusual Prose! In addition to publication in Treehouse, the contest winner will also receive: a one year subscription to Barrelhouse, Booth, Carolina Quarterly, Ecotone, Gigantic, Gulf Coast, [PANK], and REAL: Regarding Arts & Letters; two new Fall titles from brand new (but no less awesome) indie press A Strange Object, two new titles from Dzanc Books and a six-month subscription to their e-book club; a copy of Michael Kimball Writes Your Life Story (on a postcard) and First Year (an MLP Anthology) from Mud Luscious Press; and a t-shirt from A Strange Object and [PANK].

Our favorite non-winning contest entries will also be published in Treehouse.The rules:

  1. We’re interested in prose that does unusual stuff. In the past we’ve published stories in the form of to-do lists, invisible text with footnotes, survival guides, landlord-tenant correspondence, recipes, and also all kinds of inventive work that was linguistically, but not necessarily structurally, experimental. So if you think your story, essay, prose poem, or genrebender fits the bill, send it our way. (Sorry, no poetry with line breaks for this one.)
  2. Entries are to be a maximum of 750 words.
  3. All entries must be emailed to treehouse.editors@gmail.com by April 30. Preferred format is .doc, but .docx and .pdf are also acceptable.
  4. Subject line of contest entries must say: CONTEST ENTRY. Otherwise, they will simply be filed as regular submissions and will have zero chance of receiving cool swag.
  5. Your name MUST NOT APPEAR ANYWHERE ON YOUR PIECE. Since we often get writing from people we kind of know, either via real life or the internet, we want to be extra careful that everything is getting read blind. We’re even going to implement our ultra-secret “assigning numbers to stories and then not telling anybody what the numbers mean” system.
  6. In the interest of fairness, we can’t accept submission from editors at any of the magazines or publishing houses that are participating. UNCW students may submit work, so long as they’re not currently on staff at Ecotone.
  7. Former Treehouse contributors are invited to submit work.
  8. We also can’t accept submissions from anyone who has gotten past second base with any member of the editorial staff. (In this case, “second base” refers to urban second base; rural second base is okay.) However, if you have gotten past second base with a member of the editorial staff: why don’t you call us already? It’s been more than three days.
  9. One of the main things we’re trying to communicate with this contest is that literature is a community. We picked out the journals and publishing houses we’re most excited about because we wanted to share them with you—our favorite readers. (And pretty much everybody we asked to participate eagerly agreed.) As such, we’ll be featuring a different participating magazine or indie house every week. Please check out their sites and consider subscribing or buying books—not because they’re helping our contest, but because they’re sustaining a thriving literary community that you’re not going to get from mainstream publishing. And because they publish cool shit!
  10. We really believe in doing as much as we can without getting money involved. So even if you can’t afford to subscribe to any of our partners’ publications, consider spreading the word—about the contest and/or about any of the publishers you see that tickle your fancy—via facebook, twitter, or other social media. Or, you know, your mouth.

Our authors have been featured in Best American Short Stories, The Pushcart Prize AnthologyBest New American VoicesBest American Mystery Stories, and Best American Fantasy. In the past year we’ve published new work from acclaimed young writers like Roxane Gay, Matt Bell, Patrick Somerville, Marie-Helene Bertino, and many others.

We look forward to reading your work! To support Treehouse, you can read the magazine, follow us on Twitter and like us on Facebook!