Past Intern Updates: Danielle Kuffler

Danielle Kuffler, from Issue 2 and 3, talks about her perception of “work,” how that perception has changed, and what “work” she is looking forward to doing in the future.

I am a tutor at a community college writing center in south Phoenix. Since graduating from ASU two years ago, I have been a nanny, a waitress, a bartender, and a freelance copywriter, among other things. When I started college, I viewed work as something physical with immediately visible results. I thought it meant serving others, and I thought it defined who you are. After holding an internship with Superstition Review, I knew that work had more meanings. I learned work can have tangible and rewarding results over a period of time, work can involve your brain and not only your hands, and a job is not who you are.

Superstition Review was still in its early stages when I was an intern. I helped write a manual for future interns, and Trish was constantly coming up with new approaches to make the publication better. When the site finally launched at the end of the semester, I felt proud of the long hours of sometimes tedious work. I gained appreciation for working towards a long-term goal.

Tutoring recreates this feeling in miniature. Each session is an opportunity for growth and learning, and at the end, I try to impart to students what change took place in even just 10 minutes. I want them to be proud of their work and look forward to making it even better. Tutoring takes patience and foresight. For each session with a student, I first assess what the student should take away from our meeting, and then set up a structure in my mind that will best utilize our time. Sometimes we will spend 30 minutes talking about sentence structure or verbs, and other times we create an outline for a long research paper.

As solicitations coordinator at Superstition Review, I honed my planning skills. I quickly learned that without attention to detail and structured use of time, I would lose control of the solicitations process. Equally important was clear and quick email communication with artists and fellow interns. Being able to get to the point and communicate clearly has served me well as a tutor working with a diverse student body.

I’ve struggled with committing to a career, but it helps to remember that a job is not who you are, even when you care deeply about what you’re doing. Being part of Superstition Review prepared me to pursue a career I feel something for. Nothing excites me more than diagramming a sentence with a student. Superstition Review challenged me to discover things not only about publishing, but also about myself. Taking all sorts of jobs and internships allowed me to see different ways of living, and I’ve slowly built confidence in and appreciation for my talents and skills. I plan on pursuing a master’s degree in linguistics in the near future, and I know my time at Superstition Review will continue to be a source of pride and motivation to grow, change, and do good work.

Spotlight on Rebekah Richgels, by Danielle Kuffler

rebekahrichgels_1Danielle Kuffler: What is your process when reviewing a submission?

Rebekah Richgels: I generally skip the title and dive straight into the story. If it is poorly punctuated or confusing, sometimes I have to start over. Once I am about a third of the way through, if I’m not invested in the story yet I call it a No. As I read, I look for character development and depth, interesting subject matter that draws me in and keeps me reading, and a coherent plot. Ideally these things also come with good prose. If a story has all that I say Yes. I love that we do a blind read of the stories so we aren’t swayed by the author’s fame or lack thereof.

DK: What has been your best SR moment?

RR: My best moment with SR was definitely when Sara Scoville and I interviewed TC Boyle. I was really nervous ahead of time, but he made everything really relaxed and the whole experience turned out amazingly.

DK: What has been your worst SR moment?

RR: It’s not that bad, but my worst SR moment was at the beginning of Fall 2008, when I accidentally solicited from a poet and he emailed back telling me he didn’t do fiction. I tried to respond in a joking way and also pass the blame, which made us all look pretty unprofessional. I learned from it, though, and I’m a lot more thorough with my solicitations now.

DK: What is your favorite book or author/poet?

RR: My favorite author is John Steinbeck, but I also love reading pieces by Rick Reilly, former writer for Sports Illustrated.

DK: What was the first book you ever read?

RR: I’m not sure about the first book I ever read, but the first ones I remember reading were the Boxcar Children series. I read so many of them that I even had a dream where I was reading one.

DK: What skills of yours are most beneficial to SR?

RR: I like to think that I work pretty hard to get through the things we need to do. I can sit down and run through a lot of work in a day if that’s what we need to catch up. I think I do a good job, too, of explaining situations to other people, like Sarah Dillard, my other fiction editor, so that she felt up to speed with our jobs here.

DK: What are you reading currently?

RR: I just finished Leaving Atlanta, Tayari Jones’ first book, and am starting Which Brings Me To You, the collaborative novel between Julianna Baggott and Steve Almond. I am also reading Bright Lights, Big City, by Jay McInerney for my Literary Forms class.

DK: What is your favorite work of nonfiction?

RR: I guess I would have to say Ghost Soldiers, the book about the Bataan Death March, because it was the first nonfiction book I had ever chosen to read. I really prefer the fiction world.

DK: What is your favorite work of art or artist?

RR: I love Rodin. For some reason, his sculptures seem especially beautiful to me.

DK: What are some advantages to working in the online format of SR?

RR: The best advantage of working online is the space. We have no limit to how much we publish, and aren’t limited by printing costs either.

DK: What kind of experiences have you gained at SR that will help in your future?

RR: I have learned better responsibility and independence, as well as increased diplomacy and really great connections to the literary world.