SR Pod/Vod Series, Authors Talk: Author Megan Harlan

Megan HarlanToday we are pleased to feature author Megan Harlan as our thirtieth Authors Talk series contributor. Megan discusses the difference between creative nonfiction and fiction, and why she is drawn to writing creative nonfiction – despite it being a “poorly named genre.”

Creative nonfiction is narrative writing based on reality, on facts. Due to the genre’s name, it seems that the creative part might be lying. This isn’t the case, Megan argues, as she says “With creative nonfiction, once you get past your own personal fact checking department, the truth becomes the grounding element for any structure you want to build.” The process of building a structure from the truth is the creative part.

Fiction, on the other hand, is often largely built around a made-up hero’s journey. Creative nonfiction doesn’t have to be causal, based on a hero, or have an arc – unlike classically structured fiction. Calling to mind Oscar Wilde, “the truth is rarely pure and never simple.” Like reality, creative nonfiction is not simple or straightforward, but filled with the challenges and possibilities of expressing the truth as we experience it.

You can listen to the podcast on our iTunes channel, podcast #221.

You can read Megan’s nonfiction essay in Superstition Review Issue 17, and hear her read it aloud in last week’s podcast, #220.

SR Pod/Vod Series, Recording: Author Megan Harlan

Megan HarlanThis Tuesday, we are proud to feature a podcast of s[r] contributor Megan Harlan reading her nonfiction essay from Issue 17.

You can listen to the podcast on our iTunes channel, podcast #220.

You can follow along with Megan’s nonfiction essay in Superstition Review, Issue 17.

More about the author:

Megan Harlan’s creative nonfiction essays have recently appeared in Alaska Quarterly Review and The Common. She is the author of Mapmaking (BkMk Press/New Letters), awarded the John Ciardi Prize for Poetry. Her poems, short stories, and articles have appeared or are forthcoming in Hotel Amerika, AGNI, TriQuarterly, The New York Times, Prairie Schooner, New Orleans Review, Meridian, and Arts & Letters, among other publications. She holds an MFA from New York University’s Creative Writing Program and lives and works as a writer and editor in the San Francisco Bay Area.