Past Intern Updates: Katie McCoach

Katie McCoach, Issue 6 Nonfiction Editor, discusses her experience at Superstition Review and other internships and how they gave her the experience to pursue her ideal career.

dsc_0507Until my internships with Superstition Review, Ellechor Publishing, and Folio Literary Management, I had no idea where my Creative Writing and Communications degrees were going to take me. I knew I enjoyed the degrees I had chosen for myself, but what job would I end up with? I felt like the only choices I kept hearing were technical writing, teaching, or apply for MFA programs.

Those options weren’t for me. But then the lingering question; what was?

Well, a few internships later I discovered my dream job, and the path to take to get there. Fast forward a year and here I am now, pursuing my dream. Half of my time goes to an author marketing company where I spend the day executing marketing campaigns for traditional and self-published authors, and the other half of my time is spent freelance editing as Katie McCoach Editorial. I edit and critique manuscripts, query letters, website content, and newsletters. When I look back at how in the world I got here, it comes down to six things interning did for me, so I wanted to share them here for you.

  1. Real Life Experience – I know you hear this all the time. Enough already, right? But it really cannot be expressed enough. The internships I held were all very different from one another and from each of them I discovered this whole world I knew nothing about. I learned how to communicate with authors, how to hone instinct in selling, selecting, and editing, and I saw the different roles each person can play in the publishing industry. Many of the things I learned in my internships I would never have learned by just my degree alone.
  2. Discover What You Want  – A couple years ago, I was the Nonfiction Editor for Issue 6 of Superstition Review. Here I learned the in and outs of a literary magazine: how to communicate with authors and pique interest, how to develop an instinct for selecting the best work for the issue that season, and I had a chance to read amazing work by so many brilliant writers. At one point, I was asked to give comments on one of the pieces, to see if there were any suggestions or feedback we could contribute. This was my favorite part, and it wasn’t even one of my typical duties. That’s when the first hint of what I wanted to do as a career began to hit me.
  3. Conduct the Ultimate Interview – Internships are jobs. Although they are temporary and often times only a few months long, they are still jobs. This is your chance to conduct the ultimate interview – how does this job fit with your personality? How are your skills best utilized? Can you see yourself here in five years? How could you move up in the industry? I worked for a literary magazine, publishing company, and literary agency. I saw very different roles of the publishing industry, and from it I discovered where I fit best.
  4. Path to Your Dream Job – Every person in your industry started somewhere, maybe even interning exactly where you are now. So ask them – how did they get their job? What about their boss’s boss? The path to your dream job becomes readily available to you as an intern and this is your chance to begin it.
  5. Perspective – I chose to intern at companies that were all related to publishing and from this I saw different parts of the industry that I could have never seen if I hadn’t worked in the areas I did. Interning at Superstition Review I saw the literary magazine side of publishing. The publications in literary magazines across the country influence contests and grants. These contests can mean referrals for lit agents, which in turn can mean a sale to an editor, and the next book a publishing company picks up. There is much more to it than that of course, but I now am able to see the industry as a whole, which gives me perspective, especially in relation to the job I chose to pursue.
  6. Connections – This is another one of those things we hear a lot. I currently live in Los Angeles and I am surrounded by the film and TV industry. I see first-hand how connections are the only way to establish your place in that industry. The same goes for publishing, though depending on the path you choose, it might not be quite as cutthroat. When I first moved to LA I attended one of those kind-of-awkward-but-you-push-through-it networking events. I was wary at first, and then I met someone who was starting her own marketing business. She needed an editor for her website content and what do you know, here I was, an editor. On top of gaining business with her, she also had a friend who was a literary agent, and that agent knew other freelance editors, and by then my connections had tripled. This happened just from a two-hour networking event, so imagine what a semester-long internship can do.

Interning was definitely the right choice for me and my career path, and – I have to cliché it up right here – I would not be in the position I am today without it.

If you are a current or past intern, what has interning done for you? If you are debating interning, what things do you hope to gain from the experience?

Katie McCoach graduated from Arizona State University in May of 2011 with her Bachelor’s of Arts in Creative Writing and Communications. She currently resides in Los Angeles, CA as a freelance editor. She has had essays published in TrainWrite and Kalliope. You can visit her at www.katiemccoach.com and on Twitter @katiemccoach

Meet The Interns: Madeline Beach

Madeline Beach is currently completing her final semester hours to earn the designation of a Bachelor of Arts in English Literature. At this time, Madeline is professionally working as a technical writer and enjoys seeing the worlds of technology and literacy work together in tandem, in both professional and academic settings. This is Madeline’s second semester with Superstition Review as she enjoys being closely involved with the ever-growing revolution of online publishing.

Superstition Review: What is your position with Superstition Review and what are your responsibilities?

Madeline Beach: Currently I hold the position of Content Coordinator. My responsibilities include receiving and tracking all submissions received as a part of our open submission period.

SR: Why did you decide to get involved with Superstition Review?

MB: I first learned about Superstition Review when I took a course led by the journal’s Managing Editor Trish Murphy. The course involved researching and studying Literary Magazines, so I felt the best next step was to become familiar with the publication process. After having interned last semester, I felt that continuing to gain experience in online publishing would prove invaluable to my future career endeavors.

SR: Besides interning for Superstition Review, how do you spend your time?

MB: Currently, I work full-time as a Project Administrator at a large financial company. After my workday ends, I rush home to begin my schoolwork. In the spare time I have, I write short essays for practice, perfecting my skills as a writer.

SR: What other position(s) for Superstition Review would you like to try out?

MB: I think it would great to gain experience in the actual web design process of online publishing.

SR: Describe one of your favorite literary works.

MB: My favorite literary work, which as written by Tammy Delatorre, is titled Gifts from my Mother. The piece is a cynical coming of age tales that describes the “gifts” a young girl receives from her mother. At night the narrator’s mother leaves her young daughter in the car while she frequents the local bar. The mother brings her daughter the parasols and olives from her drinks at the bar, which the daughter sarcastically remarks as being so thoughtful. I like the feel of the story because it is dark and poignant, telling the short story of a young girl’s experience of her mother.

SR: What are you currently reading?

MB: I have recently begun to re-read 1984, by George Orwell. A co-worker and I were discussing the film and I felt the urge to read the book again to better familiarize with the details.

SR: Creatively, what are you currently working on?

MB: I am currently finishing a piece of creative non-fiction, detailing my experience of my father’s untimely death and how I felt caring for him at a young age.

SR: Where do you see yourself in 10 years?

MB: I see myself as a leader within my employer’s brand management services division, editing work that is submitted for approval, prior to publication.

Meet the Interns: Mariah Beckman, Solicitations Coordinator

mariahbeckman_0Mariah Beckman is an English Literature Senior at Arizona State University and is pursuing a Technical Writing Certificate.

Superstition Review: What do you do for SR?

Mariah Beckman: I review current solicitation list and update contacts, and maintain this list so that the following issues have a solicitations list to build off of. I also work with Editors to add names to list and constantly update the Solicitation List with author responses. My job consists largely of helping to garner submissions and organize the responses to those submissions to provide clear and updated list of works to be featured in Superstition Review.

SR: How did you hear about or get involved with Superstition Review?

MB: I was fortunate enough to take a class taught by one of the managing editors/founders, and was thusly recruited.

SR: What is your favorite section of SR? Why?

MB: I think that poetry is going to be my favorite section of SR. When I was in high school I dated this boy, and his brother was featured in Hayden’s Ferry Review, another Arizona State University literary magazine, and I remember thinking how awesome it was that he was valued enough to be represented. His submission was poetry. I really love to read poetry–no matter how busy I am, I can pick up a copy of my Cummings or Hughes or Frost collection and browse through a finished project, and that is what I love about poetry. If literature is the Christmas Tree, poetry are the Ornaments that make it dazzle even without the lights. I’m so excited to read the submissions and have an opportunity to read some up-and-comers and professionals, side-by-side, and compare the changing face of poetry today.

SR: Who is your dream contributor to the journal? Talk about him/her.

MB: I think that I would love to feature Mark Danielewski (author of House of Leaves) or Chuck Palahniuk (author of the novels Fight Club, Snuff, Choke, etc). While each of these authors feature often mature content, their wit and eloquence are excellent artistic representations of Americans ever-changing and subversive culture. These authors publish challenging and exciting, often funny and always memorable works that have stuck with me and that I can relate to, and it would be amazing to feature one of their interviews or short stories to see what insights they could offer about writing in the 21st century.

SR: What job, other than your own, would you like to try out in the journal?

MB: I would like to work with contributors whose works are chosen to fine-tune and polish their work for submission. I would love to be the person who not only delivers the great news that an individual’s work is publication-worthy, but also work with them to craft their writing and to make them the best vehicles for their art form, because written word is truly a timeless and powerful art.

SR: What are you most excited for in the upcoming issue?

MB: The finished product and readings are the milestones that I most look forward to for this upcoming issue. To see all of our efforts come to fruition will be amazing, and I just can’t wait.

SR: What was the first book you remember falling in love with and what made it so special?

MB: As a reader, there are so many books that I really appreciated and grew up with. The first book, however, that I can remember finishing and then reading all over again was Joseph Heller’s Catch-22. The characters in this novel were so vibrant–who doesn’t know and love a Captain Yossarian, tragic and clever anti-hero of life’s red tape? Or a Milo Minderbinder, enterprising get-rich-quick businessman with great demeanor and no conscience? Major Major, the Chaplain, Hungry Joe–there was a piece of all of America in every character, even the most despicable.

SR: What artist have you really connected with, either in subject matter, work, or motto?

MB: “Anyone who lives within their means suffers from a lack of imagination.”–Oscar Wilde

Oscar Wilde in his The Picture of Dorian Gray is one of the most prosaic and devilish books I’ve ever read. I’ve always considered myself a fan of Sylvia Plath, but never of her methods–her poetry is divine, but her short works and her life fell short of what I thought her work expressed her capable of. Oscar Wilde, however, was as much a modern philosopher as he ever was a writer. Everything he said or wrote is quotable–I don’t think the man ever had a mundane thought.

“Arguments are to be avoided; they are always vulgar and often convincing.”–Wilde

SR: What are some of your favorite websites to waste time on or distract you from homework?

MB: I am loathe to say Facebook, but there it is. I think that I blow more of my time on Facebook then I do checking my email. I Can Has Cheeseburger.com used to be high on the list, not because I’m a freak but because I have a lot of pets and every one of them seems to be represented in adorable photo form. don’t judge me. T-Shirt Hell.com–it’s awful and wrong, but I love it. I only wish I could buy up the site. If you’ve never been, you should check it out–it’s the most offensive and off-color t-shirts you would ever not want to see.

SR: What would be your dream class to take at ASU? What would the title be and what would it cover?

MB: YOU: A Montage

I would like to take a class that allows a person to gather together their most favorite and expressive mediums of expression–photos, written work, audio, video, links and things and ideas and beliefs–and turn it into something tangible…like a collage that one would be graded on. The final project would be in explanation and defense of not only the project, but the personality and individual it represents. My final would be a life-size mannequin, decked out to look like me but in clothing made of my favorite works, eyes that you could look into and press my nose to see a slideshow, a button on my mouth to hear me recite something of my choosing, and spaces cut out of my arms, legs, back, whatever, to put (assuming money isn’t the issue) clips of movies like “Vanilla Sky” or “Harold and Maude” and other favorites to show viewers, in a snapshot, me. This would be like the ultimate self-exploration, and it would involve a lot of actual project work, which isn’t something that I’ve really done since high school.