Retribution Forthcoming: Katie Berta

Congratulations to Katie Berta on the publication of her first poetry collection! retribution forthcoming is available now from Ohio University Press or your local bookstore. You can attend the book’s launch in Arizona on Monday, April 15th at 7 p.m. at Changing Hands Tempe (6428 S McClintock Dr, Tempe, AZ 85283), which will feature Dexter Booth and Justin Petropoulos as co-readers. 

In the lineage of New York School poets like Alice Notley and Bernadette Mayer, retribution forthcoming does its exploratory work through narrative and lyric modes, by simile and catalogue. By turns oblique and direct, Katie Berta’s poems look vulnerably and honestly at sexual coercion and the psychological fallout of assault. These poems move through academic, public, and domestic spaces— and through the domain of memory—investigating the ways consumerist society reinforces and reifies gender conformity and performativity. The world of these poems and their trauma narrative is woven through and deepened by the heartful speaker’s sense of humor and eagerness to love and trust.

For readers interested in interrogating ecological, capitalist, gendered, and private violence, for sensitive and intuitive listeners, and for lovers of poets like Natalie Scenters-Zapico, Jay Hopler, and Paisley Rekdal, retribution forthcoming is an inspired and visionary debut.

retribution forthcoming is the recipient of the Hollis Summers Poetry Prize! That is only the beginning of the praise it has received:

“retribution forthcoming fuses the abject with the sincere, the tender with the perverse. Katie Berta’s voice is straight-up. Bare-faced. Flat-out. She catalogs both the worthwhile and the intolerable, and the result is exhilarating: a killing bite into the marrow of whatever it is we think we’re doing here.”

Claire Wahmanholm, author of Meltwater: Poems

“Katie Berta reminds us ‘the world is a fight’ and these poems refuse to pull punches. In retribution forthcoming, sarcasm collides with an exhaustion of the patriarchal clutch on society as well as the stark realities of womanhood, poethood, and traumas rife with contention and devastation to the human psyche.”

Felicia Zamora, author of I Always Carry My Bones

“These poems roil with thought and with dogs and with media-glut. They overflow with fear and love; devastating events and numb, weak aftermaths; what to eat, or slather into your insufficient skin: and still their capacities for humor, for tenderness– their raw courage in the face of a virulent internal naysayer—thrill and buoy us.”

Sally Ball, author of Hold Sway

Katie Berta’s debut poetry collection, retribution forthcoming, won the Hollis Summers Prize and will be published by Ohio University Press in 2024. Her poems have appeared or are forthcoming in Ploughshares, The Cincinnati Review, The Kenyon Review, Prairie Schooner, Denver Quarterly, The Yale Review, The Massachusetts Review, and Bennington Review, among other magazines. She has received residencies from Millay Arts, Ragdale, and The Hambidge Center, fellowships from the Vermont Studio Center and the Virginia G. Piper Center for Creative Writing, and an Iowa Review Award. She is the managing editor of The Iowa Review and teaches literary editing and poetry at the University of Iowa and Arizona State University. You can find out more about Katie on her website.

SR Pod/Vod Series, Recording Marcela Sulak

Marcela SulakThis Friday, we are proud to feature a podcast of SR contributor Marcela Sulak. 

You can follow along with Marcela’s poem in Superstition Review, Issue 17.

Marcela Sulak’s most recent collection of poetry is Decency (Black Lawrence Press, 2015). Her nonfiction has appeared in The Iowa Review, The Los Angeles Review of Books, and Rattle. She’s translated four collections of poetry from the Czech, French and Hebrew, and is the co-editor for the 2015 Rose Metal Press title Family Resemblance: An Anthology and Exploration of 8 Hybrid Genres. Sulak hosts the TLV.1 Radio podcast “Israel in Translation,” edits The Ilanot Review and directs the Shaindy Rudoff Graduate Program in Creative Writing at Bar-Ilan University.

Rochelle Shapiro

SR Pod/Vod Series, Recording: Rochelle Shapiro

Rochelle ShapiroThis Tuesday, we are proud to feature a podcast of SR contributor Rochelle Shapiro reading her two poems from Issue 17.

You can listen to the podcast on our iTunes channel, podcast #234.

You can follow along with Rochelle’s poems in Superstition Review, Issue 17.

More about the author:

Rochelle Jewel Shapiro’s novel, Miriam the Medium (Simon & Schuster, 2004) was nominated for the Ribelow Prize. The sequel, Kaylee’s Ghost (2012) was an Indie Finalist. Her poems and short stories have appeared in The Iowa Review, Peregrine, Atlanta Review, Amoskaag, The Delmara Review, Reunion: The Dallas Review, and more. Her poem, Second Story Porch, was nominated for the Pushcart Prize by Schuykill Valley Review. She’s published essays in The New York Times (Lives) and Newsweek, plus many anthologies. She teaches writing at UCLA Extension.

#SRIssue16: An Interview with Karen Bender

benderKaren Bender is the author of the story collection Refund, published by Counterpoint Press in 2015; it is a Finalist for the National Book Award in Fiction, and is on the shortlist for the Frank O’Connor International Short Story Prize; it was also a Los Angeles Times bestseller. She is also the author of Like Normal People, (Houghton Mifflin) which was a Los Angeles Times bestseller, a Washington Post Best Book of the Year, and a Barnes and Noble Discover Great New Writers selection, and A Town of Empty Rooms (Counterpoint Press). 

Her short fiction has appeared in magazines including The New Yorker, Granta, Ploughshares, Zoetrope, Story, Narrative, The Harvard Review, Guernica, and The Iowa Review. Her stories have appeared in Best American Short Stories, Best American Mystery Stories, and New Stories from the South: The Year’s Best and have won two Pushcart prizes. Two of her stories have been read in the Selected Shorts program on NPR.

On December 1st you can read our interview with Karen Bender in the Launch of our 16th Issue.

 

SR Pod/Vod Series: Writer Kristen Keckler

Each Tuesday we feature audio or video of an SR Contributor reading their work. Today we’re proud to feature a podcast by Kristen Keckler.

DSCF8390 4Kristen Keckler’s poems, essays, and stories have appeared in Ecotone, The Iowa Review, Vestal Review, South Dakota Review, Santa Clara Review, Prick of the Spindle, The Boiler, and other journals. She co­authored with Bill Roorbach the 2nd edition of the nonfiction craft guide, Writing Life Stories. She is currently an Assistant Professor at Mercy College in Dobbs Ferry, New York. She would like to the Music Industry and Technology program at Mercy College for their assistance with the audio recording of this essay.

You can listen to the podcast on our iTunes Channel.

You can read along with the work in Superstition Review.

SR Pod/Vod Series: Poet Deborah Bogen

Each Tuesday we feature audio or video of an SR Contributor reading their work. Today we’re proud to feature a podcast by Deborah Bogen.

Deborah Bogen is the author of three prize-winning works: Living by the Children’s Cemetery (2000 Byline Press), Landscape With Silos (2006 Texas Review Press) and the forthcoming Let Me Open You a Swan (April 2010, Elixir Press). Her poetry and reviews appear widely in journals like Crazyhorse, The Iowa Review, New Letters, The Georgia Review, Shenandoah, The Gettysburg Review and others. For the past 10 years she’s conducted free writing workshops in her Pittsburgh living room.

You can read along with her poems in Issue 4 of Superstition Review.

To subscribe to our iTunes U channel, go to http://itunes.apple.com/us/itunes-u/superstition-review-online/id552593273

Forthcoming: Patrick Madden

Superstition Review is thrilled to announce our publication of Patrick Madden in our upcoming issue, set to launch this December. Madden is a wonderful essayist who curates his own website which features classical and renowned essays from the most esteemed authors in history and currently teaches at Brigham Young University. Check out his website at www.quotidiana.org.

Patrick Madden joined the BYU English Department in 2004 after completing his Ph.D. at Ohio University. He specializes in theory and practice of the personal essay and its sister genres (travel, aphorism, etc.) in literary nonfiction. He is also interested in Latin American Literature.

His first book, Quotidiana, a collection of personal essays, was published in early 2010 by the University of Nebraska Press. It was a finalist for the PEN Center USA Literary Award in Creative Nonfiction; it won a gold medal in the Independent Publisher Book of the Year Awards for Creative Nonfiction, a bronze medal in the ForeWord Reviews Book of the Year Awards for Essay, and the Association for Mormon Letters Award for the Personal Essay. He has published individual essays in The Iowa Review, Fourth Genre, Hotel Amerika, Portland Magazine, and many other journals, plus some of these essays have been anthologized in The Best American Spiritual Writing 2007 and The Best Creative Nonfiction vol. 2 or noted in the back of The Best American Essays.

He enjoys volleyball, basketball, web design, strategy games, singing, Rush, and Notre Dame football. He and his wife, Karina, have three sons and three daughters.

We are honored to have the opportunity to publish Madden’s work ourselves, and look forward to our readership enjoying his work as much as we have.

Below is a link to one of Madden’s essays, entitled, “On Laughter”
http://magazine.byu.edu/?act=view&a=2390

Or you can listen to him read the same essay by downloading the .mp3 from this link:

http://magazine.byu.edu/issues/121/2390/files/patrickmaddenonlaughter.mp3